Thursday, October 15
At the B&B breakfast (unlike Airbnbs, real B&Bs ascribe real meaning to that second 'B'), we sat with Allen and Melinda, a couple celebrating their 50th wedding anniversary. They were Christian missionaries who had served several years in Hungary. Prior to that, Allen had been the Headmaster at a Christian private school. We discussed each others' itineraries, so we of course mentioned we were going to Israel. They were very supportive of Israel and distressed by the Obama administration's obvious lack of support for Israel.
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| A revolting place |
Following breakfast, we checked out and headed north on Highway 7 into Massachusetts, stopping in the town of Great Barrington, site of the first open revolt against the British in 1774, when in defiance of the Intolerable Act, 1500 men filled the courthouse, preventing it from conducting business.
The town had a distinctive historic look to it. I got a cappuccino from a place called Fuel, that might have been the best cappuccino I've ever had. It wasn't rich and creamy like my usual favorites, but the flavor of the espresso was excellent and came through loud and clear, and this despite it being decaf!
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| A newly paved road in an otherwise historic looking Great Barrington |
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| A side street in Great Barrington |
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| David finds a friend at Chesterwood |
Next we drove up to Stockbridge and Chesterwood, the home of Daniel Chester French, the sculptor responsible for the statue of Abraham Lincoln seated in the Lincoln Memorial. There was no one there other than workmen who were renovating the building, so we didn't even go in, but we got out of the car so David could play with a very friendly black and white kitty. We then retraced our steps a mile or two to our real destination, the Norman Rockwell Museum. I have always enjoyed his illustrations (even Rockwell did not consider it fine art), but I learned a few things that greatly added to my appreciation for his work. First, he had a long and complicated process for producing each painting. He used real people to pose, often using family members and neighbors and often reusing the same person for multiple characters in the same painting. He dressed them up in costumes, many of which he owned and kept on hand for the purpose. He would have photos taken of the models posing. From the photos he did charcoal drawings and color studies, eventually deciding on what the total scene would look like and the color scheme. That's when he would begin the actual painting. He had been a student of art from an early age and used color to draw the eye to key parts (usually red) or to form geometric patterns (usually triangles), techniques used by the masters.
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| Almost like a Normal Rockwell painting! |
The second thing I learned (well, I think I always knew this intuitively) is that his goal was to tell a story in pictures. The paintings always have a large amount of detail, not all of which were extraneous. He also tried to be as accurate as possible, drawing environments from photos of real places and drawing facial expressions as they actually appeared on his models, though often produced only after prompting and coaching from Rockwell himself. A docent told us that occasionally someone will come into the museum who had posed for one painting or another. Finally, I learned that the idyllic scenes that he depicted were idealized representations of the times, not an accurate portrayal, because he believed people preferred the former. This was a bit of a revelation to me! Since most of his work depicted eras before I was born or at least too young to remember, I always thought of those scenes as being the quintessential representation of those times. On the one hand I was disappointed that life was not as wonderful in the 50's as he depicted. On the other hand, it made me feel better to know I hadn't missed some golden era of American history. And he was right! I did prefer the idealized version of life. I wonder how he would have depicted the 2010's?
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Mr. Rockwell's studio
(Photo by Sandra) |
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| This beats working! |
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| Hanging out on the Rockwell Museum grounds |
After the museum, we drove back to the main street of Stockbridge and had lunch at Once Upon a Table. The food was great and the proprietors entertaining.
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Monument on Main St., Stockbridge, MA
(Photo by Sandra) |
Next we headed to Lenox and went to The Mount, the restored home of author Edith Wharton (The Age of Innocence, Ethan Frome, and many others). I found it all a bit pretentious, but maybe it's just because I was not familiar with the author.
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| The Mount, as viewed from the garden |
Edith Wharton's first big hit was entitled,
The Decoration of Houses. According to our tour guide, this book created interior decorating as a profession. One of Wharton's tenets was that walls should be decorated with built-in bookcases and the books on the shelves selected for the aesthetics of their bindings. I thought of the many stand-alone bookcases in our home and the jumble of books that adorn them, organized as they are by subject rather than size and color.
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The book-adorned walls of the library at The Mount
(Photo by Sandra) |
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The gardeners at The Mount do a bit more than mow, blow and go
(Photo by Sandra) |
After Lenox, we continued north on Highway 7 toward Pittsfield. On the way, we drove by Tanglewood, a famous music venue, but it was closed.
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Performing at Tanglewood, though without a piano
(Photo: Sandra) |
The guide book said there was nothing worth stopping for in Pittsfield, but we found this to be quite untrue. The first remarkable thing was that we passed at least 3 synagogues, including the Chabad of the Berkshires. Next, we noticed some sort of street fair going on so decided to stop a check it out. It turned out to be a monthly street fair that occurs through the summer and fall. There was live music, food vendors and a breast cancer march. There wasn't really that much to get excited about, but it was crowded and festive and many people were dressed for Halloween.
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| Pittsfield street fair at dusk |
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| Big and small puppets in Pittsfield |
It was getting cold (though most of the locals were not wearing coats) so we went to dinner at the one restaurant the guide book said was worth eating at in Pittsfield. It was called Elizabeth's, a small place in the industrial end of town. We were asked if we had reservations. When we said we didn't, instead of being turned away, we were offered a table downstairs by the kitchen rather than upstairs in the dining room. This turned out not to be a bad thing, as the dining room was nothing special and the kitchen area added character to the experience (ours was not the only table in the kitchen). The coolest part was that they did not accept credit cards, but did accept IOUs if you didn't have enough cash, which we didn't. While the menu was vegetarian, the specials included fish and chicken options. Entrees came with what they billed as not-to-be-missed freshly baked bread and a special salad worth writing home about. In the end the food was good but not great and certainly didn't live up to the hype, but it was a fun experience, especially the IOU part (which I fulfilled by pulling out my phone and immediately dispatching a check to be mailed from my bank - we live in amazing times!). Following dinner, we headed to Williamstown and checked into our Motel, which was your basic old fashioned motel room.
Now here is a strange thing. The owner and our host at the first place we stayed was named Heidi. The owner and our host at the second place we stayed was named Heidi. I thought that was a bit odd, as Heidi is not a very popular name in California and I figured it was the same in the East. When we got to this motel, the third place in a row, there was an envelope on the dresser soliciting tips for housekeeping. The name of the housekeeper was written on the envelope: Heidi! WHAT DOES IT MEAN?!
It behooves me to mention that all throughout our driving over the past few days, we had encountered an ever-increasing amount of gasp-evoking fall colors. Sometimes it is an individual tree with such amazing colors that you must stop what you are doing to just gaze at it for a minute, bringing true meaning to the expression "eye candy." Other times it is a clump of trees in beautiful chromatic harmony. And sometimes it is an entire hillside completely covered in unnatural color (well, at least unnatural to the eyes of a California boy). No matter how often we encounter these scenes, each occurrence is like seeing it for the first time. It is utterly amazing.